Papua New Guinea Tribal Art

Papua New Guinea
Bahinemo Garra Hook, 19th Century
Hunstein Mountains
Wood Pigment
40.25 x 7 inches

Provenance
Ex Mullendich Collection, Netherlands
Ex 1980 Loed Van Brüssel, Amsterdam
Ex 1980 Anita and Jan Lundberg, Malmö, Sweden

Exhibitions
1991, Louisiana Museum, Humlebek, Denmark

Publications
1991, Louisian Revy, No 32, page 43, number 214
Ex-Cornelis Pieter Meulendijk, Rotterdam, The Netherlands
Ex-Loed Van Bussel, Amsterdam, The Netherlands

Oceania - Papua New Guinea
Canoe Prow Figurehead (Nguzu Nguzu)
New Georgia Island, Western Solomon Islands, South Pacific
Wood with shell inlay
6 x 3 inches

Provenance
Ex Nicolai Michoutouchkine
Ex Russian artist
Ex Port Vila, Vanuatu
Ex American Collection
Ex Wayne Heathcote, London

Papua New Guinea
Fighting Shield, Mid 20th Century
Wahgi Vallery, Western Highlands
Wood, paint, cane
64 x 26 inches

Provenance
Ex Boylan Collection, Australia

Papua New Guinea
Miniature Flute Mask, End 19th Century/Early 20th Century
Wood, East Sepik Province
18.25 inches (height)

Provenance
Private Collection, England
Collection of Jean Baptiste Bacquart, London

According to Bounoure (2009), the ceremonies and festivities organized in men's houses were an opportunity to resonate large horizontal drums and "sacred flutes forming pairs of unequal size and sounding differently, one male, the other female, and played simultaneously. In the villages of the mouth of the Sepik and the Murik lakes, a carved wooden mask was attached to each of these flutes, representing a half-human/half-animal face decorated with tassels of fibers, feathers, and pendants. He also specifies that the front of these masks often presents a representation of a bird or another animal. See Bounoure (2009, p.235) for a comparable mask acquired by the University of Ghent from the Berlin Museum in 1905.